Nate Kohrs began his career in New York where he honed his musical craft in the city’s vibrant recording studio community, collaborating with artists as diverse and wide ranging as Mark Ronson, Philip Glass, Stuart Price, Kylie Minogue, and Jason Derulo just to name a few.
After producing and cowriting several albums for indie artists, Nate‘s passion for combining music and picture led him to pursue film composition. He quickly gained notice in the New York film community and, in 2015 was commissioned to score the Netflix documentary, CT Fletcher: My Magnificent Obsession.
In 2017 Nate again teamed up with director/producer Vlad Yudin (Generation Iron 1,2 and 3, Last Day of Summer) on the international UFC film The Hurt Business featuring Kevin Costner.
The same year, Friday Night Epitaph, French DIY indiepop/rock/ underground singer-songwriter Cyclope Espion‘s debut album, recorded (in one take) and produced by Nate Kohrs in an empty Harlem apartment, was voted one of the 10 Best indie records of 2017 by music critic Lisa Whealey in the USA, and found it’s way on the playlist of the MoMa’s store (Museum of Modern Art) in NYC.
While spending time in Australia working on various projects, he began a series of electronic works that would eventually form the basis for his upcoming debut solo release, The Nineteen.”Alasya and the Train Tracks” a first extract from The Nineteen, was released on April 12th.
www.natekohrs.com (Official site)
https://www.imdb.com/name/nm3917656/ (Nate on IMDB)https://open.spotify.com/artist/7x4edwkiBsx02AiPz5WG5i?si=gOikCDLURf-0A7c6OGu1Kg (Nate on Spotify)
https://www.facebook.com/natedkohrs (Nate on Facebook)
@natekohrs (Nate on Twitter)
https://natekohrs.bandcamp.com/releases(Bandcamp page)
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