Belgian electronic music producer and DJ Ghost Jr. released his newest single ‘2 phones‘ via Dim Mak Records. A rising name in Trance, Techno, and Eurodance, Ghost Jr. has played major Belgian festivals like Tomorrowland, Ostend Beach Festival, and Fantasia Festival, including a Tomorrowland Cherry Moon Legends set with his father, DJ Ghost. With over 300,000 streams, Ghost Jr. reached a career milestone by signing with Steve Aoki’s Dim Mak Records, releasing ‘2 Phones‘ in September ahead of an upcoming December EP.
Born in Brasschaat, Belgium, and based in Valencia, Spain, Ghost Jr. grew up surrounded by electronic music through his father, DJ Ghost, creator of classics like The Moon’s ‘Blow Up the Speakers‘, Armani & Ghost’s ‘Airport‘, Cherry Moon Trax’s ‘Needle Destruction‘, and Q-ic & Ghost’s ‘Desire Go Higher‘. Building on this legacy, Ghost Jr. started producing music in his bedroom before playing for dancefloors all across Europe. His sound blends Eurodance, Trance, and Techno with retro influences, taking inspiration from Pegassi, Marlon Hoffstadt, Dimitri Vegas, and Funk Tribu.
‘2 phones’ opens with atmospheric, arpeggiated synthesisers layered beneath emotive, polished pop vocals. What initially appears to be a synthwave-inspired track soon reveals a harder edge, as the chorus drops into driving, techno-inflected percussion, transforming its melodic foundation into a high-energy dancefloor cut. Balancing catchy pop songwriting with hard-hitting electronic production, the track pairs infectious vocal hooks with club-focused synths and relentless percussion. The result is an accessible, energetic release that bridges the gap between pop and techno, feeling equally suited to the radio and the dancefloor. ‘2 phones’ is sure to ensnare fans of Gesaffelstein, Perturbator, and Carpenter Brut.
Ghost Jr. shared, “2 Phones isn’t about me, it’s about a feeling a lot of people carry: that pressure of juggling more than you can hold, chasing something better while the world keeps ringing at you. I wanted to write it from the outside looking in, like a short film in a verse. The energy hits first. The story reveals itself after.”
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