Jamie Freeman has released a final teaser of his upcoming record ‘Dreams About Falling’ which is out this Friday, May 17th, on Union Music Label, and announced he will be supporting the US artist Wade Bowen on tour this summer.
The new single ‘Down Range’ is a duet between Freeman and the brilliant Angaleena Presley, whose latest release with group Pistol Annies debuted at number one on the UK Country Albums chart and reached number fifteen in the Billboard Official US chart as well as featuring Barry Walsh – Gretchen Peters’ husband – on piano.
‘Down Range’ is a heartbreaking tale of a Gulf War veteran returning to his wife that Angaleena Presley duetted with Freeman on especially for this album. Freeman explains:
“It describes the changes he’d undergone after experiencing combat first hand. His wife barely recognises him, and even he knows that he’s not the same man any more. ‘Down range’ is a phrase that basically means in combat. It’s a love song, she wanting the old man back; him unable to return, even though he’s back in body. It’s about what war does to people, and their loved ones.”
Previously, Freeman announced the album with the first single ‘All In The Name’, which premiered at The Boot and was described by them as “…a solid reminder to stick it out with the person you love, even when things get a little tough.”
2019 Live Dates:
May 16th – Lewes, UK – Lewes Con Club
May 18th – Emsworth, UK – Harbour Records
May 21st – Brighton, UK – The Prince Albert
May 24th – Surbiton, UK – ExCellar
May 25th – Lewes, UK – Union Music Store
June 20th – Shoreham-by-Sea, UK – Ropetackle Arts Centre
June 25th – Eastbourne, UK – The Crown & Anchor
June 28th – Manchester, UK – Night People
July 30th – London, UK – Borderline*
July 31st – Bristol, UK – The Louisiana*
August 1st – Manchester, UK – Gullivers*
August 2nd – Glasgow, UK – Òran Mór*
August 3rd – Hamburg, Germany – NOCHTWACHE*
August 4th – Berlin, Germany – Privatclub*
August 5th – München, Germany – folks! club*
August 6th – Köln, Germany – Blue Shell*
More on ‘Dreams About Falling’:
“‘Dreams About Falling’ alludes to the fine line between flying and falling, succeeding or failing. Some of the songs are about childhood or upbringing, how that shapes an adult and how they remember and deal with those memories. That feeling of doing something exciting and scary, or waking from a dream just before you hit the ground.”
Jamie Freeman returns with perhaps his most startlingly honest and remarkably vulnerable album yet, with the release of ‘Dreams About Falling’, in May 2019 via Union Music Label. Produced in Nashville by Grammy-nominated Neilson Hubbard, Freeman skilfully tackles subjects such as parental expectations, childhood potential, and facing up to the possibility of falling short of those aspirations. These themes may be further understood when the context of Freeman’s talented family is brought into the picture. With a BAFTA and Emmy award-winning brother, Martin, and Frazier Chorus indie-dance musician (signed to 4AD, Virgin) brother, Tim, one can imagine that the family outlook has always been to ‘aim high’.
Jamie Freeman has found his own path, however, and become a respected figure within the Americana music scene after releasing his debut record ‘Just You’ in 2011, follow-up ‘100 Miles From Town’ in 2013 (under the name The Jamie Freeman Agreement) and EP ‘Hasia Dreams’ in 2017, all to critical acclaim from the likes of Americana UK, RnR, Maverick, FATEA, and more. A testament to the reputation Freeman has built is the impressive roster of collaborators and producers that have lent themselves to his projects; not only is the album produced by the acclaimed Neilson Hubbard, who has been attached to some of the finest Americana records of the past decade (most recently Mary Gauthier’s Rifles and Rosary Beads), Jamie has also worked with the likes of Angaleena Presley, Mark Chadwick, Larkin Poe, Wild Ponies, Ben Glover, and Michael Logen.
Freeman’s list of co-writers and contributors on ‘Dreams About Falling’ reads like a who’s who of Nashville’s finest. One particular highlight is ‘Down Range’, a heartbreaking tale of a Gulf War veteran returning to his wife that the Pistol Annies singer and solo artist Angaleena Presley duetted with Freeman on especially for this album. Presley actually co-wrote one of the final tracks on the record ‘I Miss Those Bars’, which Freeman explains is, “about the fear of having to fend for oneself, even if that freedom is what we desire. If we attain that freedom how will we cope? She has written and talked about hardships close to home to do with the opioid epidemic leading to addiction and prison. I had my own second-hand experience with alcohol.”
‘Down Range’ is swiftly followed by the equally poignant track ‘The Fire’, a song co-written by Ben Glover whose latest release ‘Shorebound’ won UK Album of the Year at the UK Americana Awards 2019. The track itself was written after the Grenfell Tower fire disaster in 2017 and uses powerful imagery to invoke moving scenes of spirits, smoke, and betrayal. On its creation, Freeman has said, “I didn’t want to write a political song, and I didn’t feel I had the authority to write *specifically* about Grenfell, but I wanted to honour the event and the people, so we wrote about the physical being of the fire itself; an unfeeling force that simply does what it does.”
Jamie’s commitment to music doesn’t end with his own releases. Freeman produced the critically-acclaimed ‘Not Waving But Drowning’ and ‘Dead Stars’ by The Self Help Group along with many other projects including the Noble Jacks debut ‘What The Hammer’ as well as taking on the role of drummer for Sam Outlaw and MD for Angaleena Presley‘s UK touring band. He’s also a member of the Americana Music Association UK – working as their designer and volunteer, something that takes up a lot of his time and energy, but that Freeman is extremely dedicated to. “I like to take a ‘high tide floats all boats’ attitude to helping fellow musicians”, he explains.
“The last line in the closing song (Match Among The Ashes) says, ‘You’d believe that you can fly, because she told you, so you try.’ This is a direct reference to my own upbringing and the faith and belief that my mother instilled in me. The title is perhaps a reference to that, coupled with the fear of not living up to it.”
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