Mel Denisse is a genre‑bending artist‑producer whose songs land between raw guitar grit and left‑field pop. First hooked on her dad’s acoustic at ten, she spent her teens recording demos in cracked software and, by eighteen, hustled onto a Myspace‑era tour.
Years ping‑ponging between Nashville and L.A. sharpened her writing and production: warped alt‑rock beds under ethereal, classically tinged vocals, spiked with the Eastern scales she soaked up while splitting childhood between Florida and Turkey. Lyrically, she digs into duality, obsession, and the tug‑of‑war between self‑preservation and self‑destruction.
Influenced by everything from Failure and Deftones to Tori Amos, Mel chases what she calls a“controlledcollision.” Her voice drifts like smoke, then snarls and cracks on the next beat while jagged guitar loops pulse beneath. “I like to ‘frankenstein’ a track,” she says. “If a heavy riff and a delicate melody look wrong together on paper, that’s exactly what pulls me in.”
“Like a Fiend“, her latest single, captures that push‑pull in a creature split between two selves, flipping from fragile confession to manic euphoria in a heartbeat.
Previous releases earned spins on BBC Radio 1’s Alternative Show, placement on Spotify’s All New Rock, and tastemakers from Vanyaland praised the “reckless ambition of ’90s guitar‑rock grit,” while Wolf in a Suit called her debut “hypnotizing… bound to find a home in the deepest corners of our souls.”
When it comes to personalizing the music for her fans: “If the song makes you feel a gentle gut-punch–that’s the point,” she says. “I’m slipping mirrors into the track so you have to sit with whatever stares back.”
In the studio, she’s worked with Carlos de la Garza (Paramore, Best Coast), Ken Andrews (Paramore, M83) , Micah Tawlks (Hayley Williams, Noah Kahan, Ashe), and longtime collaborator/producer Stephen Laurenson. Off the clock, you’ll catch her streaming marathon World of Warcraft sessions or disappearing into fantasy novels.
https://www.instagram.com/meldenisse
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